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This book seeks to clarify postcolonial Indigenous thought beginning at the new millennium. It represents the voices of the first generation of global Indigenous scholars and converges those voices, their analyses, and their dreams of a decolonized world.
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Tourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. These thoughtful, engaging essays provide a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Ranging broadly historically and geographically, Unpacking Culture is the first collection to bring together substantial case studies on this topic from around the world.
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Sioui has produced a work not only of metahistory but of moral reflections. He contrasts Euroamerican ethnocentrism and feelings of racial superiority with the Amerindian belief in the "Great Circle of Life" and shows that human beings must establish intellectual and emotional connections with the entire living world if they hope to achieve abundance, quality, and peace for all. Sioui is proud to be a Huron and an Amerindian and is fully aware of the injustices that the aboriginal people of North America have suffered - and continue to suffer - at the hands of Euroamericans. He is convinced that the greatness of Amerindians does not lie only in the past but that Native peoples will play an even more important role in the future by providing ideas essential to creating aviable way of life for North America and the world. While this is a polemical work, Sioui never descends to recrimination or vituperative condemnation, even when that might seem justified. Instead, he has given us a polemic that is written at the level of philosophy.
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Tribal art has greatly inspired much 20th-century Western art. But is this a cross-cultural discovery to be celebrated, or another example of Western colonial appropriation? This work, focusing on countries such as Australia and New Zealand, argues that both views are too simplistic
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What happens when a Native or indigenous person turns a video camera on his or her own culture? Are the resulting images different from what a Westernized filmmaker would create, and, if so, in what ways? This book discusses the core concepts of aesthetics and indigenous culture and examines the work of American Indian documentary filmmakers
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Catalogue d'une exposition tenue à l'origine au "First People's Hall of the Canadian Museum of Civilization", prise en charge par Gerald McMaster. Publié avec le "Canadian Museum of Civilization
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Indians in northeastern North America produced a variety of art objects for sale to travelers and tourists during the 18th and 19th centuries. This art is of high quality and great aesthetic interest, but has been largely ignored by scholars. This study combines fieldwork, art historical analysis
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This volume makes available in English most of the essays written to accompany the Canadian Museum of Civilization's exhibition In the shadow of the sun. Not included from the original German publication are the exhibition catalogue section and the essays by Gisela Hoffmann, Bernadette Driscoll and Elizabeth McLuhan. However, Viviane Gray's article appears in this document for the first time. Complemented by images of contemporary Indian and Inuit art, the book provides an overview of the evolution of contemporary Canadian Native art. Regional styles as well as the styles of individual artists are discussed, and the various subjects, themes and techniques reflected in the works of art are examined
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In Partial Recall, twelve Native American artists and writers look deep into the images that have shaped our ideas of "Indianness," and explore the complex relationship of photography to identity. For this volume, edited and introduced by Lucy Lippard, each contributor has chosen one or two photographs as the point of departure for their original poetic, historical, political, or autobiographical essays. With an additional portfolio of more than sixty photographs drawn from around the country, Partial Recall is a unique and valuable anthology.
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Catlogue d'exposition avec plusieurs textes.
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Cette publication a été réalisée à l'occasion de l'exposition "L'Oeil Amérindien, Regards sur l'Animal au Musée de la civilisation à Québec.
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Interview vidéo et écrite.
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1. Approches
- Épistémologies autochtones
- Analyses formalistes (1)
- Approches sociologiques (17)
- Étude de la réception (4)
- Étude des industries culturelles (12)
- Étude des représentations (27)
- Genre et sexualité (35)
- Histoire/historiographie critique (41)
- Humanités numériques (21)
- Méthodologie de recherche décoloniale (13)
2. Auteur.rice.s et créateur.rice.s
- Auteur.rice (40)
- Auteur.rice autochtone (85)
- Auteur.rice LGBTQ+ (2)
- Auteur.rice noir.e (4)
- Auteur.rice PANDC (6)
- Autrice (90)
- Créateur.rice autochtone (137)
- Créateur.rice LGBTQ+ (5)
- Créateur.rice noir.e (2)
- Créateur.rice PANDC (9)
- Créatrice (104)
- Identités diasporiques (2)
4. Corpus analysé
- Afrique (7)
- Amérique centrale (10)
- Amérique du Nord (154)
- Amérique du Sud (12)
- Asie (8)
- Europe (8)
- Océanie (21)
4. Lieu de production du savoir
- Afrique (3)
- Amérique centrale (2)
- Amérique du Nord (154)
- Amérique du Sud (5)
- Asie (3)
- Europe (11)
- Océanie (16)