Résultats | Département d’histoire de l'art et d'études cinématographiques

Šisler, V. (2008). Digital Arabs: Representation in Video Games. European Journal of Cultural Studies, 11(2), 203‑220. https://doi.org/10.1177/1367549407088333

This article presents the ways in which Muslims and Arabs are represented and represent themselves in video games. First, it analyses how various genres of European and American video games have constructed the Arab or Muslim Other. Within these games, it demonstrates how the diverse ethnic and religious identities of the Islamic world have been flattened out and reconstructed into a series of social typologies operating within a broader framework of terrorism and hostility. It then contrasts these broader trends in western digital representation with selected video games produced in the Arab world, whose authors have knowingly subverted and refashioned these stereotypes in two unique and quite different fashions. In conclusion, it considers the significance of western attempts to transcend simplified patterns of representation that have dominated the video game industry by offering what are known as 'serious' games.

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Castro-Gómez, S. et Grosfoguel, R. (dir.). (2007). El giro decolonial: reflexiones para una diversidad epistémica más allá del capitalismo global (21 ed.). Siglo del Hombre Editores. http://www.ceapedi.com.ar/imagenes/biblioteca/libreria/147.pdf

Este libro reúne ensayos de doce teóricos latinoamericanos, quienes hacen una reflexión acerca de la diversidad epistémica en el mundo contemporáneo. Plantean que la decolonialidad en el siglo XXI tendrá que dirigirse a la heterarquía de las múltiples relaciones raciales, étnicas, sexuales, económicas y de género que quedaron intactas durante el siglo XX.

Consulter sur www.ceapedi.com.ar

Moran, A. et Malbon, J. (2006). Understanding the Global TV Format. Intellect Books. https://worldcat.org/en/title/954762176

This volume presents a series of papers concerned with the interrelations between the postmodern and the present state of art and design education. Spanning a range of thematic concerns, the book reflects upon existing practice and articulates revolutionary prospects potentially viable through a shift in educative thinking.

Consulter sur worldcat.org

Bourne, S. (2005). Black in the British Frame: The Black Experience in British Film and Television. Bloomsbury Publishing Plc. https://worldcat.org/en/title/1274561753

In this updated edition of his acclaimed and award-winning study, Stephen Bourne takes a personal look at the history of black people in popular British film and television. He documents, from original research and interviews, the experiences and representations which have been ignored in previous media books about people of African descent. There are chapters about Paul Robeson, Newton I. Aduaka, soap operas and much more - as well as several useful appendices and suggestions for further reading.

Consulter sur worldcat.org

Waisbord, S. (2004). McTV: Understanding the Global Popularity of Television Formats. Television & New Media, 5(4), 359‑383. https://doi.org/https://doi.org/10.1177/1527476404268922

Globalization has intensified interconnectivity among television industries worldwide. Interconnectivity happens through structural and institutional linkages among television systems and industries worldwide, resulting in an increasingly integrated global business governed by similar practices and goals. The dynamics are reflected in the popularity of television formats. On the surface, global dissemination of formats may suggest not only the global integration of the economy of the industry but also the standardization of content. A dozen media companies are able to do business worldwide by selling the same idea, and audiences seem to be watching national variations of the same show. At a deeper level, however, formats attest to the fact that television still remains tied to local and national cultures. Bringing up examples of Latin American cases, this article argues that television is simultaneously global and national, shaped by the globalization of media economics and the pull of local and national cultures.

Pinder, K. N. (2002). Race-ing Art History: Critical Readings in Reace and Art History. Routledge. http://www.worldcat.org/oclc/804390860

This comprehensive anthology places issues of racial representation squarely on the canvas. Within these pages are representations of Nubians in ancient art, the great tradition of Westernmasters such as Manet and Picasso and contemporary work by lesser known artists.

Consulter sur www.worldcat.org

Malik, S. (2001). Representing Black Britain: Black and Asian Images on Television. SAGE Publications, Limited. https://worldcat.org/en/title/643578394

'One of the most important books on race, representation and politics to come along in a decade' - Henry Giroux, Penn State University Representing Black Britain offers a critical history of Black and Asian representation on British television from the earliest days of broadcasting to the present day.

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Quijano, A. (2000). Coloniality of Power, Eurocentrism, and Latin America. Nepantla: Views from South, 1(3), 533‑580. https://muse.jhu.edu/article/23906

What is termed globalization is the culmination of a process that began with the constitution of America and colonial/modern Eurocentered capitalism as a new global power. One of the fundamental axes of this model of power is the social classification of the world’s population around the idea of race, a mental construction that expresses the basic experience of colonial domination and pervades the more important dimensions of global power, including its specific rationality: Eurocentrism. The racial axis has a colonial origin and character, but it has proven to be more durable and stable than the colonialism in whose matrix it was established. Therefore, the model of power that is globally hegemonic today presupposes an element of coloniality. In what follows, my primary aim is to open up some of the theoretically necessary questions about the implications of coloniality of power regarding the history of Latin America.

Consulter sur muse.jhu.edu

Moran, A. (1998). Copycat Television: Globalisation, Program Formats, and Cultural Identity. University of Luton Press. https://worldcat.org/en/title/649973462

"Addressing both the scope and the significance of television program format transferthe practice of using the basic idea of a program to produce a new version of that programthis book details this rapidly growing area of the international television distribution system. Also addressed is the remaking of a program by the television industry of another nation, highlighting issues of meaning and cultural identity of national audiences."

Consulter sur worldcat.org

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