“Hey, Hey, Hey!”: Bill Cosby’s Fat Albert as Psychodynamic Postmodern Play

Type de ressource
Chapitre de livre
Auteurs/contributeurs
Titre
“Hey, Hey, Hey!”: Bill Cosby’s Fat Albert as Psychodynamic Postmodern Play
Résumé
Although the cartoon series Fat Albert and the Cosby Kids (CBS, 1972–1984) averaged only nine new episodes a year during its twelve-year run (compared to a more standard production cycle of twenty-five to sixty new episodes a year for other cartoons), the show remained a highly popular option for young viewers on late Saturday mornings. By the time of the series’ network premiere in 1972, the cartoon’s animated African American stars—Weird Harold, Dumb Donald, Fat Albert, Rudy, Mushmouth, Bucky, Russell, and Bill—were familiar and recognizable to American audiences as originating from Bill Cosby’s boyhood community of North
Titre du livre
Watching While Black
Collection
Centering the Television of Black Audiences
Lieu
New Brunswick, États-Unis
Maison d’édition
Rutgers University Press
Date
2012
Pages
89-104
Langue
Anglais
ISBN
978-0-8135-5386-3
Titre abrégé
“HEY, HEY, HEY!”
Catalogue de bibl.
JSTOR
Référence
Russworm, T. M. (2012). “Hey, Hey, Hey!”: Bill Cosby’s Fat Albert as Psychodynamic Postmodern Play. Dans Watching While Black (p. 89‑104). Rutgers University Press. https://worldcat.org/en/title/1163878601
2. Auteur.rice.s et créateur.rice.s
4. Corpus analysé
4. Lieu de production du savoir
5. Pratiques médiatiques