Identity and Performance in Yvonne Welbon’s Remembering Wei-Yi Fang, Remembering Myself: An Autobiography

Type de ressource
Chapitre de livre
Auteurs/contributeurs
Titre
Identity and Performance in Yvonne Welbon’s Remembering Wei-Yi Fang, Remembering Myself: An Autobiography
Résumé
In novel ways, and from a surprising location, Yvonne Welbon’s Remembering Wei-Yi Fang, Remembering Myself: An Autobiography (1995) explores some of the same dilemmas that earlier African American expatriate artists promulgated, using their time abroad as a win dow onto America, while relishing the nurturing possibilities of partial escape from American racism. Some of the most complex and insightful observations about America and American racism have been crafted by African American expatriate artists such as James Baldwin and Josephine Baker. These artists’ depictions of their encounters abroad complicate our understandings of American identity and American racism.
Titre du livre
Sisters in the Life: A History of Out African American Lesbian Media-Making
Collection
A History of Out African American Lesbian Media-Making
Lieu
Durham
Maison d’édition
Duke University Press
Date
2018
Pages
92-112
Langue
Anglais
ISBN
978-0-8223-7071-0
Titre abrégé
Identity and Performance in Yvonne Welbon’s Remembering Wei-Yi Fang, Remembering Myself
Consulté le
16/09/2021 12:03
Catalogue de bibl.
JSTOR
Référence
Heitner, D. (2018). Identity and Performance in Yvonne Welbon’s Remembering Wei-Yi Fang, Remembering Myself: An Autobiography. Dans Y. Welbon et A. Juhasz (dir.), Sisters in the Life: A History of Out African American Lesbian Media-Making (p. 92‑112). Duke University Press. https://worldcat.org/en/title/1015243159
2. Auteur.rice.s et créateur.rice.s
4. Corpus analysé
4. Lieu de production du savoir
5. Pratiques médiatiques