Decolonizing the Global Renaissance: A View from the Andes

Type de ressource
Chapitre de livre
Auteur/contributeur
Titre
Decolonizing the Global Renaissance: A View from the Andes
Résumé
The development of Global Renaissance art history has had an undeniable impact on the field of colonial Latin American art. Some of the earliest manifestations of this disciplinary partnership can be found in exhibitions, monographs, articles, and edited volumes produced around the quincentennial of Christopher Columbus’s 1492 voyage. Exhibitions such as Circa 1492 at the National Gallery and a wave of scholarly publications addressed the cataclysmic impact of the European invasion and subsequent colonization of the Americas at an epistemological, linguistic, political, biological, and aesthetic level. The year 1992 precipitated an outpouring of critical reflection on the history of colonialism in the Western hemisphere and its enduring legacies both within Latin America and its diasporic communities.
Titre du livre
The Globalization of Renaissance Art: A Critical Review
Lieu
Leiden
Maison d’édition
Brill
Date
2017
Pages
65-94
Langue
Anglais
Référence
Cohen-Aponte, A. (2017). Decolonizing the Global Renaissance: A View from the Andes. Dans The Globalization of Renaissance Art: A Critical Review (p. 65‑94). Brill. https://worldcat.org/en/title/1010621347
2. Auteur.rice.s et créateur.rice.s
4. Corpus analysé
4. Lieu de production du savoir
5. Pratiques médiatiques