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Early in the following interview, Pamela Jennings explains to Yvonne Welbon that her work gradually expanded from an initial and abiding interest in street photography toward working with and through forms of computational media. Jennings equates her move toward what she describes as “computational-based creative expression” with her growing interest in multimedia throughout the early 1990s, and she uses the term multimedia as a way of marking her work in a variety of different media and her interest specifically in computational media because the formulation computational media was not available to her then. The compelling relationship Jennings narrates between her