Bibliographie complète
Stereotypy, Mammy, and Recovery in Cheryl Dunye’s The Watermelon Woman
Type de ressource
Chapitre de livre
Auteurs/contributeurs
- Wimbley, Karin D. (Auteur)
- Welbon, Yvonne (Éditeur)
- Juhasz, Alexandra (Éditeur)
Titre
Stereotypy, Mammy, and Recovery in Cheryl Dunye’s The Watermelon Woman
Résumé
The Mammy has been in our field of vision as a popular icon representing black womanhood for more than a century in literature, film, and television and in consumer and material culture.¹ Described as an asexual, rotund slave of older age whose sole responsibility is to take care of her master’s children, Mammy is a beloved character who represents all that is nurturing and maternal. She is dark-skinned and boisterous and thought to have mannish features such as large feet and hands. Mammy wears a large skirt, hiding her sex, and covers her nappy hair with a bandanna or handkerchief.
Titre du livre
Sisters in the Life: A History of Out African American Lesbian Media-Making
Collection
A History of Out African American Lesbian Media-Making
Date
2018
Maison d’édition
Duke University Press
Lieu
Durham
Pages
143-159
ISBN
978-0-8223-7071-0
Consulté le
16/09/2021 11:40
Langue
Anglais
Catalogue de bibl.
JSTOR
Référence
Wimbley, K. D. (2018). Stereotypy, Mammy, and Recovery in Cheryl Dunye’s The Watermelon Woman. Dans Y. Welbon et A. Juhasz (dir.), Sisters in the Life: A History of Out African American Lesbian Media-Making (p. 143‑159). Duke University Press. https://worldcat.org/en/title/1015243159
1. Approches
2. Auteur.rice.s et créateur.rice.s
4. Corpus analysé
4. Lieu de production du savoir
5. Pratiques médiatiques
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