Bibliographie complète

In the three decades after 1980, major changes took place in the ways in which culture in Tibet was produced, transmitted, and consumed.¹ These changes, however, were not evidence of the radical transformation often claimed as the result of digitization, but were brought about by earlier forms of technological development. In terms of music and radio, it was the arrival of cheap cassette players and recorders in Tibet in the late 1980s that allowed Tibetans to choose for the first time when to listen and, within the limits allowed by the market and the government, what to listen to (Dhondup