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L’Œuvre de la Sainte-Enfance connut un succès gigantesque auprès des enfants catholiques canadiens entre les années 1920 et 1960. À travers cette implication missionnaire, les enfants ont été formés à croire en leur capacité de rédemption de l’enfance éloignée. La Sainte-Enfance transformait les enfants lointains en possession, commodités, jeux et personnification à la disposition de l’imagination géographique et émotive des jeunes Canadiens français et Canadiennes françaises. Elle le faisait en s’appuyant sur des techniques pédagogiques et des pratiques antérieures et transnationales de performances racialisées. Comment peut-on donc faire l’histoire de la participation des enfants canadiens-français à cette œuvre en analysant leur propre voix ? Par l’étude d’un corpus de 803 lettres envoyées par des enfants, nous disséquons comment l’Œuvre de la Sainte-Enfance rythmait le quotidien des jeunes Canadiens français et Canadiennes françaises et quel univers de représentations raciales et genrées elle leur offrait.
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Exposing the history of racism in Canada’s classrooms Winner of the prestigious Clio-Quebec, Lionel-Groulx, and Canadian History of Education Association awards In School of Racism, Catherine Larochelle demonstrates how Quebec’s school system has, from its inception and for decades, taught and endorsed colonial domination and racism. This English translation extends its crucial lesson to readers worldwide, bridging English- and French-Canadian histories to deliver a better understanding of Canada’s past and present identity. Guided by postcolonial, antiracist, and feminist theories and methodologies, Larochelle examines late-nineteenth and early-twentieth-century classroom materials used in Quebec’s public and private schools. Many of these materials made their way into curricula across the country and contained textual and visual representations that constructed Indigenous, Black, Arab, and Asian peoples as “the Other” while reinforcing the collective identity of Quebec, and Canada more broadly, as white. School of Racism uncovers the ways Canada’s education system has supported and sustained ideologies of white supremacy—ideologies so deeply embedded that they still linger in school texts and programming today. Offering insights into how concepts of nationalism and racism overlap, Larochelle’s innovative analysis helps educators confront discrimination in their classrooms and furthers discussions about race and colonialism in Canada.
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We know that the settler societies known as Quebec and Canada were imperialist during the "new imperialism" era, but do we really know the process through which they became imperialist? During this period, schools provided the geographic knowledge and emotional place-attachment necessary for the consolidation of settler-colonialism. At the same time, youth imagined their future life in an interconnected world geography that they believed belonged to them. My article aims to understand how geographical knowledge—imperial, missionary, and literary—was transmitted to young people through the school system and how they integrated and appropriated this geographical imagination.
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This M.A thesis studies the Paris 1900 World’s Fair through the analysis of newspaper articles in La Presse and La Patrie. In doing so, this research situates itself at the crossroads of numerous historiographical fields. In the second half of the 19th century, both the press and the World’s Fair undergo significant changes. These changes affects newspapers in the way they look and are printed, but also in their content. For the World’s Fair, they evolve and culminate in the celebration of the 19th century in Paris in 1900. The changes affecting the press and the World’s Fair beg questions such as : How is the press talking about the presence of Quebec and French Canada at the Fair? What place do the Others take in the press discourse regarding the Fair? Is there a difference between the discourse surrounding the European nations, and those that are viewed as « Oriental » nations at the Fair? Firstly the newspaper articles that make up our body of sources are separated into four different categories: advertising, political articles, entertainment articles and chronicles. This analysis, though not exhaustive, will examine the significance that the Paris 1900 Wold’s Fair had in the La Presse and La Patrie newspapers. Secondly, the discursive analysis of these articles helps us understand the way Canada presents itself at the Fair. The press reveals how the Canadian exhibits were displayed, and consequently how the country tried to present itself on the international stage. The newspaper’s discourse also illustrates Canada’s will to appear on the same level as other euroamerican « civilized » nations, such as France, Germany or even the United- States, both culturally and economically. Also, the newspaper exposes how Canada perceived the Occident and it’s racialized view of other races. The later are often exhibited during the Fair in « human spectacles » that occasionally take place throughout the end of the 19th century and the beginning of the 20th century. Canada’s presentation of itself at the World’s Fair and the broad strokes of Canada’s ideals at the time, as shown through the newspaper articles, demonstrates unequal racial power relationships stemming from the justification of Occident’s colonial domination grounded in a European scientific racialism.