Embodying Sovereignty: Indigenous Women’s Performance Art in Canada
Type de ressource
Chapitre de livre
Auteurs/contributeurs
- Langford, Martha (Éditeur)
- Taunton, Carla (Auteur)
Titre
Embodying Sovereignty: Indigenous Women’s Performance Art in Canada
Résumé
Homi Bhabha’s pivotal 1994 book,The Location of Culture, begins with an epigraph from Heidegger’s “Building Dwelling Thinking”: “A boundary is not that at which something stops but, as the Greeks recognized, the boundary is that from whichsomething begins its presencing.” Cultural engagement, whether antagonistic or affiliative in nature, is produced performatively – not as a reflection of something that is given or set in stone, but as an ongoing process of negotiation.
Titre du livre
Narratives Unfolding: National Art Histories in an Unfinished World
Collection
McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
Lieu
Montreal
Maison d’édition
McGill-Queen's University Press
Date
2017
Pages
325-354
Langue
Anglais
ISBN
978-0-7735-4979-1 978-0-7735-4978-4
Consulté le
13/08/2021 15:31
Catalogue de bibl.
WorldCat Discovery Service
Extra
Section: xviii, 437 pages : illustrations (principalement en couleur) ; 24 cm.
Référence
Taunton, C. (2017). Embodying Sovereignty: Indigenous Women’s Performance Art in Canada. Dans M. Langford (dir.), Narratives Unfolding: National Art Histories in an Unfinished World (p. 325‑354). McGill-Queen’s University Press. http://www.worldcat.org/oclc/1011622328
2. Auteur.rice.s et créateur.rice.s
4. Corpus analysé
4. Lieu de production du savoir
5. Pratiques médiatiques
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