Bibliographie complète | Département d’histoire de l'art et d'études cinématographiques

Ng Wai-ming, B. (1999). Japanese Video Games and Comics in Singapore: Issues in Popularization, Localization and their Implications. N.D. http://www.worldcat.org/oclc/882102421

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Nishimura, K. (1999). 電脳遊戯の少年少女たち ; Dennō yūgi no shōnen shōjotachi. Kōdansha. http://www.worldcat.org/oclc/1135119462

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Phillips, R. B. et Steiner, C. B. (1999). Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds (vol. 1-1 online resource (xv, 424 pages) : illustrations). University of California Press. http://www.worldcat.org/oclc/923537373

Tourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. These thoughtful, engaging essays provide a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Ranging broadly historically and geographically, Unpacking Culture is the first collection to bring together substantial case studies on this topic from around the world.

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Ryan, A. J. (1999). The Trickster Shift: Humour and Irony in Contemporary Native Art. University of British Columbia Press.

The influence of the "trickster" in contemporary Canadian native art is entwined with cultural sensibilities and expressed through ironic humour. Exploring the trickster's presence, this text allows the artists to offer their own ideas on the creative process and the nature of native humour.

Sioui, G. E. (1999). Pour une autohistoire amerindienne: essai sur les fondements d’une morale sociale. Presses de l’Université Laval. http://www.worldcat.org/oclc/1132447000

Sioui has produced a work not only of metahistory but of moral reflections. He contrasts Euroamerican ethnocentrism and feelings of racial superiority with the Amerindian belief in the "Great Circle of Life" and shows that human beings must establish intellectual and emotional connections with the entire living world if they hope to achieve abundance, quality, and peace for all. Sioui is proud to be a Huron and an Amerindian and is fully aware of the injustices that the aboriginal people of North America have suffered - and continue to suffer - at the hands of Euroamericans. He is convinced that the greatness of Amerindians does not lie only in the past but that Native peoples will play an even more important role in the future by providing ideas essential to creating aviable way of life for North America and the world. While this is a polemical work, Sioui never descends to recrimination or vituperative condemnation, even when that might seem justified. Instead, he has given us a polemic that is written at the level of philosophy.

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Thomas, N. (1999). Possessions: Indigenous Art / Colonial Culture. Thames and Hudson. http://www.worldcat.org/oclc/237363909

Tribal art has greatly inspired much 20th-century Western art. But is this a cross-cultural discovery to be celebrated, or another example of Western colonial appropriation? This work, focusing on countries such as Australia and New Zealand, argues that both views are too simplistic

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Leuthold, S. M. . . . (1998). Indigenous Aestetics: Native Art, Media and Identity. University of Texas Press. http://www.worldcat.org/oclc/243921141

What happens when a Native or indigenous person turns a video camera on his or her own culture? Are the resulting images different from what a Westernized filmmaker would create, and, if so, in what ways? This book discusses the core concepts of aesthetics and indigenous culture and examines the work of American Indian documentary filmmakers

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McMaster, G. R. (1998). Reservation X (vol. 1-1 ressource en ligne (164 pages) : illustrations (certaines en couleur), portraits). Goose Lane. https://worldcat.org/en/title/39714567

Catalogue d'une exposition tenue à l'origine au "First People's Hall of the Canadian Museum of Civilization", prise en charge par Gerald McMaster. Publié avec le "Canadian Museum of Civilization

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Moran, A. (1998). Copycat Television: Globalisation, Program Formats, and Cultural Identity. University of Luton Press. https://worldcat.org/en/title/649973462

"Addressing both the scope and the significance of television program format transferthe practice of using the basic idea of a program to produce a new version of that programthis book details this rapidly growing area of the international television distribution system. Also addressed is the remaking of a program by the television industry of another nation, highlighting issues of meaning and cultural identity of national audiences."

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Phillips, R. B. (Ruth B. (1998). Trading Identities: The Souvenir in Native North American Art from the Northeast, 1700-1900. McGill-Queen’s University Press. http://www.worldcat.org/oclc/848898666

Indians in northeastern North America produced a variety of art objects for sale to travelers and tourists during the 18th and 19th centuries. This art is of high quality and great aesthetic interest, but has been largely ignored by scholars. This study combines fieldwork, art historical analysis

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Sinclair, J. (1998). Latin American Television: A Global View. Oxford University Press. https://worldcat.org/en/title/912321075

Latin American Television makes English speakers aware of the dimensions, operation, and significance of the globalization of television in the Spanish-speaking world. Second only in scale to the market for English-language programming, the Spanish-language market embraces not just most nations of South and Central America but also Spain, and even the United States--the sixth largest Spanish-speaking country in the world. This intercontinental space is connected physically by satellite communication, and culturally by a common language and heritage which binds it as both a `geolinguistic region' and an `imagined community' which certain media corporations, Latin American and North American, seek to exploit. A similar phenomenon with regard to Brazil and the Portuguese-speaking world is ... Source: Publisher

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Barker, C. (1997). Global Television: An Introduction. Wiley-Blackwell. https://worldcat.org/en/title/717726662

This text provides readers with useful summaries and evaluations of key arguments relating to the development of television as an industry across the globe and its potential cultural impact. There is a continual insistence in the book on the need to connect issues of industry with those of culture.

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Florence, P. (1994). We are here but are we Queer?: Lesbian Filmmaking versus Queer Cinema Conference, London, 12 March 1994. Screen, XXXV(3), 297‑300. https://doi.org/https://doi.org/10.1093/screen/35.3.297

Kuumba, M. B. (1994). The Limits of Feminism: Decolonizing Women’s Liberation/Oppression Theory. Race, Sex & Class, 1(2), 85‑100. https://www.jstor.org/stable/41680222

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Naficy, H. (1993). Making of Exile Culture: Iranian Television in Los Angeles. University of Minnesota Press. https://worldcat.org/en/title/748858721

Naficy explores the seemingly contradictory way in which immigrant media and cultural productions serve as the source both of resistance and opposition to the domination by host and home country's social values while simultaneously serving as vehicles for personal and cultural transformation and assimilation of those values.

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Arias de Aramburú, Rosario. (1993). Sobre la telenovela: historia y condiciones de producción de la telenovela peruana : análisis textual de tres telenovelas. Universidad de Lima, Facultad de Ciencias de la Comunicación, Facultad de Ciencias Humanas.

Channels of resistance: global television and local empowerment. (1993). BFI Publishing in association with Channel Four Television. https://www.worldcat.org/title/channels-of-resistance-global-television-and-local-empowerment/oclc/248770969&referer=brief_results

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McMaster, G. (1993). In the Shadow of the Sun: Perspectives on Contemporary Native Art. Canadian Museum of Civilization. http://www.worldcat.org/oclc/877839520

This volume makes available in English most of the essays written to accompany the Canadian Museum of Civilization's exhibition In the shadow of the sun. Not included from the original German publication are the exhibition catalogue section and the essays by Gisela Hoffmann, Bernadette Driscoll and Elizabeth McLuhan. However, Viviane Gray's article appears in this document for the first time. Complemented by images of contemporary Indian and Inuit art, the book provides an overview of the evolution of contemporary Canadian Native art. Regional styles as well as the styles of individual artists are discussed, and the various subjects, themes and techniques reflected in the works of art are examined

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Benally, S. (1992). Partial Recall (édité par L. R. Lippard). New Press. http://www.worldcat.org/oclc/26767689

In Partial Recall, twelve Native American artists and writers look deep into the images that have shaped our ideas of "Indianness," and explore the complex relationship of photography to identity. For this volume, edited and introduced by Lucy Lippard, each contributor has chosen one or two photographs as the point of departure for their original poetic, historical, political, or autobiographical essays. With an additional portfolio of more than sixty photographs drawn from around the country, Partial Recall is a unique and valuable anthology.

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Berlo, J. C. (1992). The Early Years of Native American Art History: The Politics of Scholarship and Collecting (vol. 1-1 ressource en ligne (1 texte électronique.)). University of Washington Press. https://worldcat.org/en/title/25508785

This collection of essays deals with the development of Native American art history as a discipline.

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