Votre recherche
Résultats 43 ressources
-
Le discours historique a longtemps considéré la pratique religieuse officielle comme un simple indice utile à la mesure des tendances d'adhésion, sans vraiment chercher à interroger le geste pour lui-même. Ollivier Hubert postule au contraire que le rite est un objet d'une grande fécondité pour qui veut construire une histoire sociale de la culture. Prenant ses distances avec le concept de religion populaire, il étudie comment l'Église québécoise des XVIIIe et XIXe siècles a fait de la gestion des rites l'instrument de sa définition comme institution et une des clefs de l'exercice de son pouvoir social.
-
An article from Études d'histoire religieuse, on Érudit.
-
The revival of cultural history, and religious history is obviously concerned, is likely to incur an ill-considered rejection of some of the fundamental principles of social history: the will to include the totality of historical actors, the practice of a critical history, the question of the changing nature of the social link. Thus, the return to the "text", a promising means of renewal, carries the danger of a simple updating, or re-legitimization, of what the Power said of its doings. Hence, the work of a cultural historian implies a certain theoretical effort in order to invent new ways of linking discourses with the social practices in history. This is why a revival of the dialogue among disciplines is needed. It is this step which I followed, during a research project dealing with religious rites in 18th and 19th century Quebec, by setting up a link with a sister discipline: anthropology.
-
The novel L'influence d'un livre by Philippe Aubert de Gaspé junior, published in 1937, blurred the “modern” categories of science, religion, and superstition, and in so doing constituted a critique of the establishment of a social hierarchy based in part on the domination of official scientific and religious culture. The author’s questioning of authority extended to pushing other limits in validating a religious culture existing outside the formal institution. The novel presents an untidy image, without clear boundaries between what belonged to the religion of the church and what to makeshift, invention, appropriation, word of mouth, or popular acceptance. One must consider L'influence d'un livre as a valid indicator of various apsects, practices, and representations, but especially of the social dynamic that is usually inherent in culture and that is so difficult for the historian to grasp. The novel allows us a better perception of a “religion” with much wider horizons than can be presumed from clerical sources.
-
Is it possible to write a history of the “popular” ways of telling one’s story in periods prior to the democratization of writing ? Due to a scarcity of source material, this is no easy task. However, there are sophisticated self-representations available to the historian, produced by certain literate individuals from modest backgrounds. An analysis of part of the literary output of a representative of this category, Antoine Gérin-Lajoie, may be used to follow the process of shifting from an autobiographical narration to a sociological reflection. This reveals that the very fact of experiencing the problems involved in acquiring a scholarly culture, and in social mobility, provides part of the foundation for these writings on oneself and on the world.