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The ivory casket in the Palazzo Venezia, Rome, depicting an emperor and empress blessed by Christ and a selection of scenes from the life of David, is one of the few surviving major works from the period immediately after a centuries-long hiatus in Constantinopolitan ivory-carving. It has been given a wide variety of dates and places of origin, but it is identified here as a work made for the emperor Leo VI and assigned to 898 or 900, a little more than a decade after the "scepter tip" in Berlin, also supposedly made for the emperor. The circumstances under which the casket's inscriptions and figures were partially recarved have contributed not a little to misunderstanding of the original state of the object. This reworking, it is suggested, was undertaken in Rome, in the circle of the Jesuit savant, Athanasius Kircher.
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REB 43 1985 France p. 167-195 N. Oikonomidès, "La chancellerie impériale de Byzance du 13e au 15e siècle". — L'auteur étudie l'organisation de la chancellerie des Paléologues (grand logothète, mésazôn, protonotaire et leurs subordonnés, interprètes, notaires et grammatikoi), les diverses étapes et modalités de la production d'un acte (requête, mise par écrit, support de l'écriture, écriture, langue, récognition, corrections, décorations, signature, date, enregistrement, scellement et expédition) et les divers types de documents (chrysoboullos logos, chrysoboullon sigillion, chrysoboullos horismos, chrysoboullon, traités, lettres patentes, horismos-prostagma, lettres). Il constate une influence croissante des institutions et habitudes des États latins d'Occident.
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REB 36 1978 France p. 219-232 N. Oikonomides, The Mosaic Panel of Constantine IX and Zoe in Saint Sophia. — This wellknown mosaic panel of the South Gallery of Saint Sophia was first made in order to commemorate a generous donation to the Church by Romanos III Argyros (1028-1034) and his wife Zoe. When Constantine IX Monomachos (1042-1055), Zoe's third husband, made a new and more important donation to Saint Sophia, the patriarch Michael Keroularios had the heads of the imperial couple and of the central figure of Christ as well as the accompanying inscriptions changed, in order to commemorate the new donation. Certain discrepancies in the preserved mosaic lead the author to the hypothesis that the « new » heads of Zoe and of Christ come from an earlier mosaic of similar dimensions, made before 1028, at a time when Zoe was young.
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REB 44 1986 France p. 263-267 N. Oikonomidès, A propos d'une nouvelle publication de sceaux byzantins. — L'auteur fait quelques corrections ou commentaires sur quelques-uns des 1089 sceaux byzantins récemment publiés par G. Zacos et J.W. Nesbitt (Byzantine Lead Seals, II, Berne 1984-1985).
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